![]() ![]() ![]() It later merged with the television version of Screen Gems (Previously Pioneer Telefilms). During that same year, the studio shut its doors for good, though their animation output continued to be distributed until 1948. The final black-and-white Screen Gems shorts appeared in 1946, over three years after the second-longest holdouts ( Famous Studios and Leon Schlesinger Productions). Screen Gems was, in an attempt to keep costs low, the last American animation studio to stop producing black and white cartoons. These two were so popular, that the studio made plans for a movie sometime in 1944, though it was ultimately cancelled, most likely due to World War II and the failure of Disney's animated films at the time. However, the most successful characters the studio had been The Fox and the Crow, a comic duo of a refined Fox and a street-wise Crow. These included Flippity and Flop, Willoughby Wren, and Tito and His Burrito. Like most studios, the Screen Gems studio had several established characters on their roster. Animators, directors, and writers at the series included people such as Art Davis, Sid Marcus, Bob Wickersham, and during its latter period, Bob Clampett. Cartoons (previously Leon Schlesinger Productions). After Tashlin's short stay came Dave Fleischer, formerly of the Fleischer Studios, and after several of his successors came Ray Katz and Henry Binder from Warner Bros. Columbia then decided to "clean house" by ousting the bulk of the staff (including Winkler) and hiring creative cartoonist Frank Tashlin. Mintz's production manager became the studio head but was shortly replaced by Mintz's brother-in-law, George Winkler. When Mintz became indebted to Columbia in 1938, he ended up selling his studio to them. His first nomination was in 1935 for Holiday Land, and he was nominated again in 1938 for The Little Match Girl.įor an entire decade, Charles Mintz produced Krazy Kat, Scrappy, and Color Rhapsody animated film shorts through Columbia Pictures. Mintz was nominated for two Academy Awards for Best Short Subject. Walt Disney mentioned in an interview that Mintz cultivated his standards for high-quality cartoon movies, and he kept emphasizing them even after their contract ended. In 1939, a short while before his death, after becoming Indebted to Columbia, Mintz relinquished ownership of his studio and the Screen Gems name to Columbia to settle longstanding financial problems. The name was derived from an early Columbia Pictures slogan, "Gems of the Screen" itself a takeoff on the song " Columbia, the Gem of the Ocean". The name was originally used in 1933, when Columbia Pictures acquired a stake in Charles Mintz's animation studio. The Mintz studio became known as Screen Gems in 1933. The Winkler Studio became known as the Mintz Studio after he took over in 1929, and Mintz partnered with Columbia Pictures for distribution. After losing the Oswald contract to Walter Lantz, Mintz focused on the Krazy Kat series, which was the output of a Winkler-distributed property. He moved the production of the Oswald cartoons to his new Charles Mintz Studio, along with Margaret Winkler's brother, George. Mintz refused, and hired away all of Disney's animators except Iwerks, who refused to leave Disney. In February 1928, when the character proved more successful than expected, Disney sought to meet with Mintz over the budget, wanting to spend more on the cartoons. The result was Oswald the Lucky Rabbit, the first animated character for Universal Pictures. After Mintz become involved with the progress it was clear that he was unhappy with the production costs on cartoons and asked Disney and Ub Iwerks to develop a new character. Among those were Walt Disney's Alice Comedies and Krazy Kat. Mintz quickly assumed roles in the distribution of these series. Winkler, an independent film distributor who had distributed quite a few animated series during the silent era. In 1924, Charles Mintz married Margaret J. 3 Specialty feature film studio, 1998–present. ![]()
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